Showing posts with label indie music. Show all posts
Showing posts with label indie music. Show all posts

Tuesday, April 3, 2018

The 60th FYC Album By Various Artists Features Talented Indie Artists That Were On The 1st FYC Grammy Awards® Ballot

Bongo Boy Records releases an double cd album that captures the moment of independent music that were on the 1st Grammy Awards® ballot. The album titled The 60th FYC Album by Various Artists is digitally released today.
Physical albums are available during Grammy® Weekend in New York City and the World.
This album includes music that was indeed on the 1st voting ballot.

Album Available at: https://bongoboyrecords.com/the60thfyc/
Download at CDBABY: https://store.cdbaby.com/cd/the60thfycalbum
iTunes, Amazon, MyMusic, KKBox and many others Worldwide including Asia.

M U S I C * R E V I E W
by The Grouch

Hej America!
The other day my friends at Bongo Boy sent me a preview copy of a new double album they are releasing. The name of the album is The 60th FYC Album and features talented Independent Artists were on the 1st Grammy Awards® ballot and is releasing THE 60th FYC album(cd). Talented, indeed, as I scroll through the roster of names on the track list I see some of my personal favorites.

DISC 1
1. Paula Boggs Band - Benediction 4:07 - Man, you have to dig the bass that starts off this track. One would have to be totally devoid of soul to not feel the groove. The piano that comes in is excellent. Paula's band proves that a band can be laid back and still rock! Lest you think the only thing that rocks are the musicians playing instruments, I would be delinquent in my role as a music critic if I did not mention that Paula has a God-given gift with her voice! In other words, she blows my mind.

2. Acoustic Radio - Better Man 3:54 - Next up is Acoustic Radio. This is a County jam that really reminds me of the old Allman Brothers' Band. For those of you have dismissed Country as being the lame music of ‘fly over states', listen to this song and tell me the man cannot sing and the guitar does not rock! Rock it does! Lest we forget, Rock and Roll is, in its essence, a blending of the blues which came from Africa and was changed into the blues in North America and Country which is connected to connected to the immigrants from Scotland and Ireland who settled in Appalachia. The combination of these two genres gave birth to a form of music that changed the world. Coming from the Country side of Rock and Roll, Acoustic Radio greatly contributes to the canon of music we all enjoy.

3. Elise Lebec - Queen of Light 4:36 - Man, I dig that percussion that starts off the track, before what sounds like a violin comes in with the melody. The focus, for me anyway, is on Elise's beautiful voice. Naturally, the players with her play as well as she sings, and I am a sucker for strings played well, but I just cannot get past that voice. Simply put, I feel like I have heard an angel backed by a smoking rhythm section with a violin player who can make the instrument talk. My only complaint is that at just over four and one-half minutes, the song ends too soon.

4. Martha Reich - The River 4:38 - This track starts with some beautiful keyboard work which is accentuated by some very nice strings. Martha's voice is nothing short of sublime. I am not really sure what genre of music this is, so I will simply call in "beautifully played moving music" In other words, if my dentist played Martha's music it would ease my sense of dread each time I visit him. This truly is a very beautiful song.

5. Donna Scott - Carnival 4:31 - Oh yeah, I dig the funky into that leads off with some wicked percussion. Then a jazz piano kicks in and I realize that this is essentially a Jazz piece. Now, in full disclosure, I usually loath Jazz. The reason is simple envy. I am an old Punk rock drummer and as such have difficulty counting beyond four. I cannot put my finger on it, but I am able to see what Donna and her wicked rhythm section is doing. I am actually able to follow this track and I find myself grooving to it. By the end of the song I have the big goofy grin I get when I really like something. When you add Donna's great voice over the band of massive players who are without a doubt enjoying themselves, you end up with a very special song.

6. Big Bone Daddy - All My Time 5:10 - Big Bone Daddy is one of my all time favorite Bongo Boy artists and I am very happy this song is included on this album. You MUST listen to this track. Each time I listen to this track, which is often, I swear it is a cover, but for the life of me I cannot place it. I am reminded of Procol Harum, but I am also reminded of the first music I ever really spent time listening to, that is Motown. Having been raised in Detroit, this was the music that was in the water. Everything out of Detroit has been touched by Motown (Yes, even Nugent lists Motown as a major influence.) and this track would fit right in. I swear this song should have been, (if it wasn't,) in the movie The Big Chill. Excellent work guys. I am emotionally moved each time I listen to this track.

7. Murat Ses - No No More 3:52 - Now, for something completely different. This track is a heavy synth track. Murat Ses is nothing if not energetic. This track is sure to get the dancers and ravers up and moving. She has a good voice and the song does groove. I particularly enjoy the sections of the song in which the bass is accentuated.

8. Maryann - Hips, Lips & Eyes 3:13 - Good God, I dig Country with a sense of humor. The song starts out with a Country vibe, before going into a Jerry Lee Lewis type of 50s Rock and Roll. The old-school horns in the background totally rock! Man, I hope those cats are wearing fedoras and shades. The thing that gets me are the lyrics. Ok, ok, Maryann does indeed sing well, in fact the song would suck if she didn't, but what I really like is this is an old-time seduction manual. I want to hang with Maryann!

9. Laura Ainsworth - The Man I Love Is Gone 4:18 - Man, oh man, what a voice!! Where does Bongo Boy find all of these fantastic female vocalists. This is a Jazz/Blues track that just demands to be played in a smoky underground club at 3:00 AM. But, wait there is more, the horn man is incredible. This is such a subtle groove, the drummer is using brushes, yes brushes! Talk about laid back intensity, this track is blisteringly cool in a 40s pre-Rock and Roll sort of way. Excellent work!!

10. Ricky Persaud Jr. - Reggae Blues 3:36 - Rick, I am a huge fan! For those who don't know Ricky is nothing short of a genius. He is a master of many instruments and I don't even think he has turned 20. This song is no exception. The intro builds into a thundering blast of sound that would make Clapton proud. I swear with those blistering notes, I hear a little Eddie Van Halen influence as well. Then the listener realizes that this is a Reggae song, but the kind of Reggae Carlos Santana would play. Complex, heavy, incorporating horns and spot on - as close to perfection as a recording can get. I really hope to see Ricky in person someday.

11. Maryann - Transparent World 2:57 - Maryann is back, and I am really digging the guitar intro. Those chords rock. Then her voice comes in and BOOM, there it is, ROCK -N- ROLL. The drums are heavy; the man knows how to pound. The guitar just lays down chord after chord in an excellent riff. I am not sure if this is a religious song, but in all honesty, I could not care less. She could be singing Pink Fluffy Unicorns Dancing on Rainbows for all I care. The music and her voice are incredible. I still want to hang with Maryann!

12. Vikku Vinayakram & The Selvaganesh Family - Guru Stotra ft. Siddhant Bhatia 6:01 - This is an interesting song. As he is not singing in a language I understand, I have no idea what he is singing. I can say that he has a good voice. I dig the percussion. I am reminded of when the Beatles went to India. There is a definite groove here and he seems to be rapping or at least trading licks between his voice and the percussion. Overall, this is a very interesting song.

13. Ingrid Nomad - No Mind 5:10 - We are back to something I am a little more familiar with. This sounds like a Cool Jazz track to me. The sound effects made by the extended cymbal ringing are cool and add to the atmosphere. The players are all very good with the bass and piano dominating the instruments. Ingrid has a magnificent voice that I really enjoy. Overall, this is a very mellow groove and I dig it. In fact, as the piano takes the lead, I am surprised how much I dig this song. I have the same feeling I had the first time I heard Traffic's the Low Spark of High Healed Boys, although the piano in this track is a bit more on the Jazz side, I am still captivated.

DISC 2
1. Frank Piombo - Keep It Movin'4:02 - Album two starts off this a jazzy piece that could have been featured at Studio54 back in the day. The players are all very good and the guitar does open up with a slightly effect-laden solo, before the horn steps up and blows some wicked notes. Then about two minutes fifteen seconds in the band changes tempo slightly in what turns out to be a bridge, before going back into their own version of Jazz Funk. It's cool Frank, you have kept my attention which is difficult to do and, really, I like your song!

2. Maryann - HITF 060617 3:50 - Maryann is back again. Man, this band just does not quit. This time out they are showing that they can play Pop tracks as well. The thing is that this is really good Pop, that could be an earworm. I have come to the conclusion that Maryann is simply a very talented and versatile band whom I really would like to see in person. Any chance you will be in Sweden this summer?

3. Beto Hale - The Only One 4:26 - This is a very sensitive song that is sure to make your girlfriend happy. Musically, there is enough guitar and the bass/drums are locked in, so I think a lot of guys will dig it too. I am reminded of Eddie Money. I remember, my girlfriend saying that Two Tickets to Paradise was so sensitive and beautiful and all I could think was "Yeah, and that guitar rocks."

4. Jordan Green - Take A Ride 2:57 - Jordan Green has scored a major hit with this Country/Pop jam. Jordan has a good voice and the absolute Country backup singers add to the song. Then at about the 1:40 mark Jordan opens up and shows the world what Country Rock guitar sounds like. Overall, this is an excellent jam that I will be listening to in my car as I curve around these mountain roads.

5. Ban Brothers - Tumi Bhorer Paakhi (female) 5:14 - This is another very interesting song, as I do not understand the language in which she is singing. What I do understand is what their stringed instruments are doing. I say stringed instruments, because I am not 100% sure what is being played. It sounds like a guitar, but as this is a type of music I have never heard, it could be some exotic instrument that I am not familiar with. In any case, the strings, the percussion, and her voice all combine to make an interesting, as well as infections song that demands a second listen.

6. Kathryn Shipley - Shine Your Love 3:53 - I dig the old 60s organ combined with the guitar that starts out what seems to be a rocking spiritual. Kathryn has a very good voice and the soulful background singers add to the groove. Man, if this is what Kathryn's church sounds like, sign me up. Growing up Lutheran, I feel ripped-off, our church had sucky music. If we had had music like this I might have paid more attention.

7. Armen Balyan - Fiya 3:01- Well, this is different from the last track, but it is cool nonetheless! Basically, Armen is jamming on a synthesizer while singing all about fire. I think the underlying theme is that life is difficult, but as long as we are here we might as well have fun, just be careful and don't get burned. Overall, Armen, you get an A+ for creativity!

8. Deborah Henriksson - Whisper 3:54 - Deborah, my fellow American-raised Swede, is one of my favorite artists on Bongo Boy. The reason is simple. She has an excellent voice! I could listen to Deborah all day. I really like the subtle lead guitar in the middle of this track, but it is Deborah's voice that is captivating. I defy anyone to this track and tell me it isn't beautiful. (Deborah, how about a fika this summer?)

9. Kama Ruby - Treasure Island 4:09 - This is another mellow song with a tremendous female vocalist out front. If I were Bongo Boy, I would seriously consider sending out Mandy, Deborah, Kama, Queen Sheba and your other fantastic female artists out on the road for a "Voices from Heaven" tour. Kama, too, has an excellent voice and I will be listening to this track many times.

10. The Two Tens - Keeping Hope Alive 3:10 - BOOM this track hits you square in the face right from the start. I really like good Pop/Punk and this, folks, is exactly what this music is. The music is far from complex, but it is played so incredibly well. Their singer has the perfect voice for this type of music and the band is very tight! I cannot help but think that these guys are really enjoying themselves. Their live shows must be incredibly energetic and a lot of fun!

11. Maryann - Life - "Thank You" 2:46 - Maryann, I am really becoming a huge fan! The bass intro is ultracool. The vocals are gritty and emotionally intense. This could be, quite easily, the best song Maryann has on the album. Excellent work!

12. Shea Welsh - Slowly Falling ft. Michelle Coltrane 4:52 - Very nice guitar work starts out the song. Then the vocals come in and I am thinking Bongo Boy should add another act to the "Voices from Heaven" tour. The band is laying down a mellow groove with enough flash to keep everyone interested between verses. All in all, this is a good song, by a group of talented players and a woman who can really sing.

13. Kala Ramnath & Ojas Adhiya - Om Namah Shivaya 9:06 - I am reminded of the Beatles in India again as this track starts. It is definitely interesting and the drone in the background keeps my attention. Then a funky beat is laid down by the percussionist and I find myself trying to figure out what he is doing. This song does groove, and I think it would groove much more if I were in Colorado now…

So, folks what is the bottom line? Simple, this double album is more than worth the purchase price. Bongo Boy Records is capturing the moment that talented Independent Artists were on the 1st Grammy Awards® ballot and is releasing THE 60th FYC album(cd). This album includes only music that was indeed on the 1st voting ballot.

The term "GRAMMY Week" or "GRAMMY Weekend" is solely for the purpose of informing you of the time of the promotions.
Bongo Boy Records is not connected to or affiliated with the GRAMMY Awards® and has no influence over the selection of GRAMMY Award® nominees or winners. Bongo Boy Records is an independent record label.

http://www.mi2n.com/press.php3?press_nb=201670

Thursday, June 2, 2016

Stevie Hawkins Wins Awards At 5th Annual Indie Music Awards - Los Angeles


Independent artists and songwriters, VIP guests, and personnel in the radio, film and television industries from around the world gathered for the indie music happening of the year, the 5th Annual Indie Music Channel Awards red carpet event at the legendary Grammy Museum in Los Angeles, April 24th, 2016.



The presentation of the awards was conducted on the stage of Clive Davis Theater inside the Grammy Museum, where Indie Music Channel artists gave dynamic performances.



Emphasis Records artist Stevie Hawkins, prevailed triumphant in two award categories, "Best Live R&B Performance" and "Best Live Blues Performance". Sharing the award for the R&B performance award are Victor Orlando, Grammy nominated percussionist to the stars and Miles Grayson, visionary producer-arranger-composer and pianist.



The Hawkins, Orlando and Grayson R&B accolade was garnered from their outstanding concert performance at the Avalon Theater in Hollywood for the 23rd Annual Los Angeles Music Awards and Hollywood F.A.M.E. Awards mass media, press event and show. On the night, Hawkins, Orlando and Grayson rendered an exciting and energetic rendition of the indie hit "Bam", from Hawkins critically acclaimed award-winning album "What The Funk?”, written by Charlotte Hannon and Stevie Hawkins. Watch the award video: https://youtu.be/8e-4DuoGtGk



Hawkins' blues award win is for a song titled "Tribute To James Brown", recorded live in Atlanta, GA, written, arranged, performed and produced by Hawkins. The live performance captures Hawkins keeping soulful Rhythm & Blues alive by rendering a powerful heartfelt tribute to the incomparable Mr. James Brown. Hawkins and his band pay bone-deep homage to Brown's musical riffs, vocalizations, songs, audience participation, and social consciousness. When watching the accompanying video to the song, it is rather amazing to see Mr. Brown and his band dancing and grooving to Hawkins beat on drums and the rhythmic foundation churned out his band. It is truly a remarkable visual conveyance of the fluid authenticity of Brown's groove that was captured and performed by Hawkins and company. Watch the award and tribute video: https://youtu.be/mcbq3HdV-HY



When asked about his thoughts surrounding winning the awards, Hawkins conveyed, "This is the first time ever receiving awards for live performances and I am very proud of them. I'd like to extend sincere thanks to Mr. Christopher Ewing and the Indie Music Channel judges for the honor and recognition. Gracious thanks also to Mr. Miles Grayson for representing me at the IMC awards event. I am so honored to have had the opportunity to perform with Victor Orlando and Miles Grayson, and to win the award for Best Live R&B Performance with them as well. They are extremely talented individuals, wonderful caring people, and I thank them both for their friendship and for giving their all during our performance together at the Avalon Theater concert. The Blues award for "Tribute To James Brown" is an amazing and very special accolade to have the honor of being the recipient, due the source of the performance and its inspiration. James Brown was a visionary, an explorer, a pioneer, and is among the small elite group of the greatest artists, songwriters and entertainers of all time. He was a man who believed in himself and would never take no for an answer. He broke all the rules of music theory and structure, and by that, set new boundaries creating his own, the Brown theory. He heard musical riffs, melodies, grooves and orchestrations in his head, and conveyed those to his band, even though oftentimes the band didn't believe his ideas would work. However the concepts did work, and his music and legacy has proved just such. Not only did he give the world the gift of his music, but he also advocated for education and the betterment of society as a whole. Mr. Brown has been an inspiration to me for decades, and I am honored to have received an award by honoring him with my tribute song. I am in hopes that the video I put together for the song will be received in the light of a sincere tribute to Mr. Brown, because that's what it is. If in some way I can contribute to carrying his music and legacy forward, that is what I will do. May God be with you all."

The event was hosted and presented by Christopher Ewing, Emmy Award winning TV host, actor, model, and Indie Music Channel founder. As an actor, Ewing has appeared on such top rated shows as "All My Children", "One Life to Live" and others, plus over 80 radio & T.V. commercials. He has also been the narrator and /or spokesperson in countless industrial films for General Motors, IBM and many others.

Further nominees associated with Hawkins' creative team in the 5th Annual Indie Music Channel Awards were accomplished lyricist, Charlotte Hannon, who earned four "Best Song" nominations in the categories of Americana, Blues, Easy Listening and R&B. Irish recording artist and songwriter, John Breen, received a "Best Song" nomination in the Americana category along with Tim Crouch, a famed musician, songwriter and producer.

Emphasis Records managing director, Tom Stevens said, "Congratulations to Stevie Hawkins, Victor Orlando and Miles Grayson on your win at the Indie Music Channel Awards. I also congratulate the creatives of our label roster and music publishing division on their nominations. These individuals work hard at their craft, maintain a bar of creative excellence, an enthusiastic attitude, and render superlative works of lyrical and musical art. These individuals are a prime example of persistence, determination, and holding on to the dream. They are all winners in my book."

In the 1st Annual Indie Music Channel Awards Hollywood, Hawkins won the award for Best Blues Male Artist.

Stevie Hawkins' incredible career spans over 40 years as an artist, songwriter and producer, as well as playing drums for a variety of national and international recording artists. In very recent years, his musical works has garnered eight awards, global radio airplay, and sync licensing deals. He shows no sign of slowing down.

Stevie Hawkins Website: http://www.steviehawkins.com
Victor Orlando Website: http://www.victororlandomusic.com
Indie Music Channel: http://www.indiemusicchannel.com

http://www.mi2n.com/press.php3?press_nb=191526

Monday, April 25, 2016

Indie Music Channel Awards Honors Les Fradkin With Fourteen Rock, Instrumental and Classical Nominations


The 5th Annual Indie Music Channel Awards - Hollywood has nominated Les Fradkin for Fourteen awards in their annual red carpet event taking place in Los Angeles, April 24th, 2016, at the Clive Davis Theatre inside the legendary Grammy Museum. The nominations are taken from the successful RRO Entertainment album releases, "Mr. Midi Guitar" and "Rehearsals For Retirement" by Les Fradkin.

Fradkin's categories of nomination are:
• Best Rock Song - performance song title, "Sabre Dance"
• Best Rock Producer - performance song title, "Lift Off" and "God Bless California (Oooh L.A.)"
• Best Instrumental Artist - performance song title, "Sabre Dance"
• Best Instrumental Recording - recording title, "Sabre Dance"
• Best Instrumental Song - performance song title, "Lift Off"
• Best Male Classical Artist - performance song title, "Sabre Dance"
• Best Classical Recording - recording title, "Ode To Joy"
• Best Classical Producer - performance song title(s) "Lift Off", "Ode To Joy" and "Sabre Dance"
• Best Classical Video Under $5K - performance song title "Canon In D"
• Best Special Videos Under $5K - performance song title "Canon In D"
• Album Of The Year - "Mr. Midi Guitar"

This is Fradkin's fourth time being nominated by the Indie Music Channel Awards. In 2013, 2014 and 2015, Fradkin received several nominations for in the Classical Genre, taking home the Best Classical Recording accolade in 2014 for "Canon In D".

Les Fradkin is a 21st Century "New Media" Artist and Composer / Innovator/ Guitarist. An Original Cast member of "Beatlemania", Virtuoso Guitarist and a Pioneer of MIDI Guitar.

Les is a successful songwriter/composer from the 1970's, lead guitarist, and one of the original members of the hit Broadway show "Beatlemania". He was a Guitar Synthesizer and Tapeless Recording pioneer of the 1980's, a neoclassical guitar trendsetter in the 1990's and is now a 21st Century innovator as a virtuoso MIDI Guitarist with the Starr Labs Ztar. A classically trained musician as well as being a rock guitarist, he has found success as a recording artist, composer and producer with MGM Sunflower, ESP-Disk, Bell, Arista, RCA, and Laurie Records. Les has written the well known hit "La Chansons Des Souvenirs" ("Song Of A Thousand Voices") for the famous French songstress Mireille Mathieu on the Philips label and this tune has also been recorded in a hit version on RCA Victor (now Sony/BMG) by the Latin Pop icon Roberto Jordan ("Donde"). He was originally discovered and signed by John Hammond Sr. at Columbia back in 1969.

He has played Mellotron, 12 and 6-string Guitar, Bass and Piano on dozens of Top 40 hit records throughout the early 1970's , and 1980's, scoring many US and UK chart placings throughout his career. His current instrumental music, is a mixture of various influences and signposts from Classic Rock,, Baroque and Progressive music. Current release: "Mr. Midi Guitar".

http://www.lesfradkin.com

http://www.reverbnation.com/lesfradkin

http://www.mi2n.com/press.php3?press_nb=190669

Wednesday, May 13, 2015

Aussie Couple Ray Ramon & Jenni Ramon Win Big In Hollywood


History was made last night in Hollywood California as Australia's Singer Songwriters Ray Ramon and Jenni Ramon's "Dance All Night" won the "Best Dance Song" title at the Annual Indie Music Channel Awards 2015.

The City of stars hosted the biggest Indie Music Awards 2015 where artists from around the world gathered.

Venue was the world's famous Whiskey A Go Go.

Dance all night is a song written by Ray and Jenni about how they met and both artists decided to replay that part of their lives deciding to share it with the world.

DJ Andromeda of the United Kingdom produced the electronic dance music under the Ray Ramon Records Label, with Ray Ramon as Executive Producer.

The song's music video team Australia's Newcastle based Little Man Productions are also great contributors to the success of the song namely Stuart Glover, Chris Hornby and Todd Davies.

Dance All Night (Feat. Jenni Ramon) was number 1 on "The Kings of spins" Radio Campaign upon release and currently receiving massive airplay on various Radio and Television stations around the world.

Dance All Night was released to Radio and Media by Canada's PlayMpe, Eddie Gordon's Kingsofspins and RadioExpress (Marktheshark)

The Independent duo recently opened up their recording services, Ray Ramon Records Label to up and coming artists.

The Australian Couple who reside in Newcastle Australia were unable to attend the prestigious event hosted by Day Time Emmy Award Winning T.V Host and Executive Producer Christopher Ewing due to preparations for their upcoming new music video titled "Moving On".

Ray Ramon - Dance All Night (Feat. Jenni Ramon) is available online worldwide.
Buy Now on Amazon: http://www.amazon.com/gp/product/B00MNAN7QY

Music Video Available on VEVO
https://www.youtube.com/watch?v=HihTbsJWpLk

Website:
https://rayramon.com

http://rayramon.com/wp-content/uploads/2014/09/Dance_All_Night_feat._Jenni_Ramon.mp3

http://www.mi2n.com/press.php3?press_nb=183209

Wednesday, February 22, 2012

Mikel Rouse To Release Double CD: Boost|False Doors

Composer, filmmaker, director and solo performer Mikel Rouse announces the May 1, 2012 release of his first double album, Boost|False Doors (Exit Music 1015-1016), through iTunes and all major retailers. Boost|False Doors will be available via iTunes, Amazon, Bandcamp, CD Baby, CD Connection and CD Universe and on disc through All Major Retail Stores and through Exit Music Recordings on May 1. Both CDs will be available for Pre-Order from iTunes on April 15 (to commemorate the Hedge Fund theme of Boost). “False Doors has been described as my Buddhist record, probably because of an impression of acceptance that pervades the recording,” explains Rouse. “And Boost was about the anticipation of a loss of love through the metaphor of hedge funds and banking. The recordings are a year apart, but somehow, they seemed to become bookends, so I thought I’d release them together.” Rouse’s musical and theatrical repertoire has its roots in the high art-meets-popular culture, mix-and-match aesthetic of the early ‘80s downtown Manhattan music and art scene from which he emerged. As the Toronto Globe and Mail puts it, Rouse’s music has brought “comparisons to Laurie Anderson, Steve Reich and occasionally Talking Heads, though Rouse's love of complex rhythmic patterns far exceeds them all.” And Rouse has been credited with anticipating the orchestrated pop music of Postclassical 30 years before the term was coined. As the New York Times noted in 2010: “If Mr. Rouse had built his career in a different era, he might be playing these songs to indie-rock fans alongside bands like Dirty Projectors or an earlier Sufjan Stevens.” But music is just a part of what he does: His pieces also build a hypnotic effect through their non-narrative approach and the use of surreal film images. The Los Angeles Times notes, “Indeed, what makes Rouse's music so fascinating is that it completely merges speech and song into a rich overlay of textures. The songs have a lush pop music texture (some have noticed a seeming Rouse influence on Beck). The melodies are immediate but complexly structured like poetry; his beautiful lyrics are highly musical in tone and rhythm.” And after the premiere of Rouse’s multimedia opera, The End of Cinematics, The New York Times reported, “Sometimes built on heavy, repetitive beats, and sometimes couched in Beatle-esque psychedelia, the songs are vivid, pleasingly visceral and often engagingly harmonized, with amusingly off-kilter lyrics.” Rouse is perhaps best known for his modern media trilogy: Failing Kansas, Dennis Cleveland and The End Of Cinematics, presented for the first time in repertory in 2008 at the Luminato Festival in Toronto. Praising part one, the Washington Post wrote “There is no standard vocabulary adequate to describe Failing Kansas…for full appreciation, it should be seen more than once.” Of part two, Dennis Cleveland, Daily Variety wrote “highly sophisticated, using imaginative harmonies, contrapuntal techniques (even fugue!), complex overlays of rhythm and Minimalist phasing, rap and hip-hop. It is a musical language substantial enough to make statements, direct enough to make theater.” Dennis Cleveland began its life with a sold-out run at tiny New York City avant-garde venue the Kitchen, where theatre-goers had to turn to scalpers to nab hard-to-come-by tickets, and returned to Manhattan years later in a more full-blown form, for a critically-acclaimed engagement at Lincoln Center. Village Voice critic Kyle Gann called it “the most exciting and innovative opera since Einstein on the Beach.” And the Toronto Star said of The End Of Cinematics: “If the job of an artist is to upset expectations, stimulate the viewers’ imaginations, critique the corporate driven culture and expand the possibilities of any given genre, then Mikel Rouse is at the top of his league.” The End of Cinematics was inspired by two essays –“The Decay of Cinema” and “A Century of Cinema” – written by Susan Sontag. It explores the domination of film by corporations and commercial interests, and was premiered at the Krannert Center for the Performing Arts at the University of Illinois at Urbana and subsequently performed in Chapel Hill, New York, Miami, and Liverpool. In 2006, Rouse’s International Cloud Atlas was commissioned by The Merce Cunningham Dance Company, the John Cage Trust and Betty Freeman, and premiered at The Joyce Theater in New York. The piece was scored for multiple iPods set to “shuffle” so that each audience member had a different realization of the score. International Cloud Atlas was released exclusively on iTunes and was available for download prior to the premiere. In 2010, the New York Pubic Library for the Performing Arts at Lincoln Center announced the acquisition of Rouse’s archive including analog recordings, films, manuscripts and correspondence. Also in 2010, Rouse presented the New York premiere of Gravity Radio at the Brooklyn Academy of Music’s Next Wave Festival. For full bio and more info on Mikel Rouse, please visit www.mikelrouse.com. Email: email@mikelrouse.com