Showing posts with label Billie Reid. Show all posts
Showing posts with label Billie Reid. Show all posts

Tuesday, September 4, 2012

Review: "Slaves Replacement Technology & The Neutron Bomb" By Billie Reid

With "Slaves Replacement Technology & The Neutron Bomb", Billie Reid has released a very thought provoking song that has powerful political lyrics for those who are listening carefully. "Slaves" is a great song with a hard driving grunge punk type sound driving it, along with some stellar performances on guitar, drums, keyboards, and bass. Billie and the band really rock this song, which has nice breaks and well-paced music. With professional production pushing all of those variables over the edge, "Slaves" is well worth the listen. Reid has a very nice voice and uses it without constraint to deliver the powerful lyrics and story with first class showmanship. His musical style is both interesting and entertaining, and the mixture of satire and politics is quite enjoyable. It's a futuristic take on things to come, and this is one single that you won't want to miss.

Email: d@billiereidmusic.com
Website: http://www.billiereidmusic.com/
Music: http://soundcloud.com/billiereidmusic/slaves-replacement-technology

Monday, September 3, 2012

Contemporary Chanteuse Lily Calls The West Australian Port City Of Fremantle Home

If music can be just like putting on a dress and each one has a different style, shape, colour and texture, then Lily is currently wearing a soft and flowing wine-coloured dress with a fitted bodice.

Short and just a little bit left of centre, it's a perfect Fremantle dress and equally perfect attire for the two songs the dark-haired, creamy-featured singer has recently recorded.

In Dreams With You and Love Song 612 are two songs written by fellow Fremantle singer-songwriter Billie Reid. A prolific and sometimes highly political songwriter and poet, Billie is a bit of a recluse so local studio owner Darren Halifax wanted to make sure his work was heard. Darren purchased the rights to a collection of Billie's songs, is recording them with a number of Perth singers and invited Lily to be one of them.

Fuelled by Eurasian heritage, a lust to wander and a well-stamped passport tucked into that bodice, contemporary songbird Lily calls the West Australian port city of Fremantle home. When you hear these interpretations though, you'll also wonder how big a piece of Nashville, Tennessee she carries.

The 23-year-old's recordings of Billie Reid's songs are soulfully country and with an undeniable feeling and yearning for the coast. The songs from the project have allowed her to re-interpret the songs and let imagination rule.

"We've treated the songs with a breezy tone and have taken a really human approach to them," Lily says. "It's nice to work in a style which hasn't been expected. It's totally different from what I normally sing, which is part of the point. When Lily meets Billie's songs I get totally immersed in this project and somehow the songs have become part of my own story too."

While there were originals of Billie's to listen to, Lily got the chance to interpret each song in a way which resonated with her and spoke truth from a woman's perspective.

"Once we started working on the songs, where to take them became quite obvious. With 612, his sentiment is really something I could relate to, so it was really easy to interpret the lyrics in a meaningful way.

"For In Dreams With You, I had to push it a little more to really create my own relationship with the song. Equally, that's part of the challenge of taking on someone else's songs. I think it's a greater challenge to be working with existing melodies."

In her heart, Lily is a girl bursting with stories to tell. Irrelevant of era, genre or format, the ability to tell a worthy story makes for a beguiling song. Like any good story - even someone else's - the chance for Lily to tell it in her own voice is a truly beautiful and honourable thing.

Lily can't quite put her finger on which genre of music she loves the most though. Immersing herself in the vein-deep heritage of Nashville turned all musical notions inside out. Lily tasted and flirted with everything from stomping honky-tonk to angelically soulful country before answering the call of Freo, the mighty Indian Ocean and Billie's songs.

The petite singer has always known that music was her destiny. With a father who continues to sing and drum in numerous bands and a mother who was also a singer, Lily has always been surrounded by music, so it really felt inevitable

"Unlike a lot of kids, I was quite proud of my parents' musical taste. There were a real mix of styles and genres constantly in our ears. There was a lot of Motown. Growing up, my brothers and I were surrounded by Earth Wind & Fire, the Chi-Lites and Aretha Franklin. It didn't take me long to get suckered in by the powerful emotional pull of women like Billie Holiday and Nina Simone. This music became a tradition in our household."

The singer made her debut at an end of year school performance. Frightened out of her wits, she sang Summertime from Porgy and Bess and absolutely loved the experience. Next stop was the school jazz band and she never looked back.

Now with music by her side - and an ever-evolving wardrobe - Fremantle is the perfect place for Lily to take a deep cleansing breath and open her musical heart to Billie Reid's songs.

Email: d@billiereidmusic.com
Website: http://www.billiereidmusic.com/
Music: http://www.youtube.com/watch?v=yN8kXvVgc2Y

Friday, August 31, 2012

Did The Idea For Ben Elton's "Stark" Come From Billie Reid's "Slaves"?


Back in 1999 when he was recording 'Ticket Out Of Dizneyland', Billie Reid remembered how he wrote 'Slaves Replacement Technology & The Neutron Bomb' in 1988. The next summer, Ben Elton's book 'Stark' was published, using a very similar theme. Billie pointed out that a couple he stayed with at a farmhouse south of Fremantle (who used to 'milk his brains then scoff') went on to rent from and stay with Ben and his wife Sophie: 'Ben's Stark appeared soon after,' said Billie.

Back then I didn't delve that deeply. However I did broach the issue with him in late 2010, asking if he thought Ben had 'borrowed' his idea. He suggested that it could just be a coincidence but 'it was more a case that great minds think alike'.

I wouldn't be so sure. My thoughts are that this idea quite possibly started with Billie. Those of us that know Billie would conclude that he wouldn't mention it unless he genuinely thought it. Had the connection not existed between Billie and Ben then the alarm bells would not have rung. It wouldn't surprise me at all if the seed for Stark came from Billie. With all respect to Ben (and bearing in mind that Stark is a 500-page novel and Billie's work is a brief lyric) the concept is remarkably close. The timing, the connection and the similar theme suggests he could well have been inspired by Billie.

Email: d@billiereidmusic.com